TY  - EJOUR
A1  - Brancourt, Vincent
TI  - “For a rotten theater, a rotten nation…” - What is the place of the sensitive body in a logocentric theater?
T2  - Cahiers Jean Giraudoux 2019, n° 47. Giraudoux à la scène hier et aujourd’hui
JO  - Cahiers Jean Giraudoux (ISSN 2552-1004), 47, 2019
DO  - 10.15122/isbn.978-2-406-09818-8.p.0053
SN  - 2552-1004
SP  - 53
EP  - 67
AB  - Although Giraudoux intends for theater to provide the people with a language and a style, he is also aware that the reality of theater essentially involves the physical body of the actor and the spectator. Yet he uses language alone to act on the imagination of the spectator. The sensitive body is present in the voice, filtered through language, expressing the fragility of our condition through the interplay of intrigue and writing.
PY  - 2019
DA  - 2019/11/20
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Jean Giraudoux, theater, twentieth-century literature, hygienism, Freudianism, literary theatre, the body at the theatre
LA  - fre
UR  - https://classiques-garnier.com/cahiers-jean-giraudoux-2019-n-47-giraudoux-a-la-scene-hier-et-aujourd-hui-for-a-rotten-theater-a-rotten-nation.html
Y2  - 2024/07/17
ER  -