TY  - EJOUR
A1  - Chareyre, Philippe
TI  - “Cursed music, profane instruments that make us offend God.” - A plea against a master street performer in Nîmes in 1605
T2  - Albineana - Cahiers d’Aubigné 2021, n° 33. Musiques et société dans les provinces de l’Ouest au cours des Guerres de religion
JO  - Albineana (ISSN 2417-6516), 33, 2021
DO  - 10.48611/isbn.978-2-406-12625-6.p.0273
SN  - 2417-6516
SP  - 273
EP  - 321
AB  - The plea of the third consul of Nîmes, accused in 1605 of breaking a violin, is an opportunity for the lawyer Anne Rulman to discuss the place of music and dance in a Protestant city. Relying on the theory of music, he justifies the ability of the elites, through their humanist education impregnated with neo-Stoicism, to distinguish between 'divine' and 'accursed' music, and thus their desire to free themselves from an ecclesiastical discipline intended to maintain order among the population.
PY  - 2021
DA  - 2021/12/15
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Protestantism, Nîmes, Anne Rulman, consistory, moral control, music, dance
LA  - fre
UR  - https://classiques-garnier.com/albineana-2021-cahiers-d-aubigne-n-33-musiques-et-societe-dans-les-provinces-de-l-ouest-au-cours-des-guerres-de-religion-cursed-music-profane-instruments-that-make-us-offend-god.html
Y2  - 2024/07/17
ER  -