Abstract: Nastassja Martin’s Croire aux fauves uses anthropomorphism in order to draw a human-animal intersubjectivity. First, it examens the semantic and ontological conjunctions that are developed through writing. Then, it demonstrates how projective anthropomorphism leads to another, reciprocal, and how this points towards a becoming of interspecific community. Finally, it looks upon the way the author borrows from other ontologies to invent a story of origins.
