Abstract: What are the novelistic possibilities of artistic productions that we can call, following Servanne Monjour’s lead, retromediated objects (2018)? Taking as an example My Google Search History by Albertine Meunier and exploring the polysemy of the word fuite, the goal is to show how content may overflow its media container and jointly—even correlatively—how the figure of the artist may escape, slipping away from his/her authorial function.
