Abstract: Bohemia is linked to the appearance of a literary population that maintains a dialectical relationship with the “petit journal” that serves as a performative and allows it to broadcast its ethos. In search of a model, she often saw in Nerval an emblematic figure offering her a kinship and a legitimation. We can thus reinsert Les Nuits d’Octobre in the media production of Parisian texts such as parody and satire as well as an evocation of the romantic “verte bohême”.
