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Classiques Garnier

Contents

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Contents

THE METAMORPHOSES OF APOLLINAIRE

Franca Bruera,
Laurence Campa, Peter Read

Guillaume Apollinaire, a modern-day Proteus       5

Emmanuel Rubio

From “La Maison des morts” to “La Synagogue”: For a reassessment of Apollinaire s multicultural verse     11

Alexander Dickow

Apollinaire and the engagement of the word     21

Alexandra Lukes

Listening to Apollinaire s
Calligrammes     35

Bastien Mouchet

Lyricism in the critical and theoretical texts of Apollinaire     47

Émilien Sermier

Apollinaire the novelist? La Femme assise, “the most beautiful novel of modern times”     57

Gaëlle Beaujean

Apollinaire and African art: The value of the eye     69

Alessandro Maras

What music for Apollinaire?     77

Franca Bruera

Apollinaire and Italian, or the vertigo of metamorphosis     91

Jacqueline Gojard

Guillaume Apollinaire and André Salmon on the bridge of come-back-to-me   105

Antonio Saccone

Ungaretti and Apollinaire: Refractions and rewritings   115

Ikuko Morita

Apollinaire and Tatsuo Hori, two “Fenêtres”: Translating, nourishing oneself, and creating   127

4

Cathy Margaillan

Apollinaire in the classroom!   141

Kathryn Brown

Invoking Apollinaire: The artist s book as a grimoire   161

Katherine Shingler

“I Wonder”: Apollinaire in London in 1968   177

VARIA

Jean-François Domenget

Montherlant s martial mythology   197

BOOK REVIEWS

 213

IN MEMORIAM

Jeanyves Guérin

Jean-Claude Larrat (1948-2020)   245

ABSTRACTS

   247