Abstract: This article analyses the rapport that writing sets up with the everyday and some of its possible ramifications in Remarques, Chaussure, Saint-Tropez – Une américaine and Crâne chaud by Nathalie Quintane. It shows that the systems established by the author when she appropriates the discourses of the everyday and their idiocy constitute unseen enunciative postures which function as critical modulations of the logics through which we apprehend the daily world.
