Abstract: After thinking about the ancient genealogy of a littédanse and the transmedia device of the Concordan(s)e festival, we consider Sous la peau, by Arno Bertina and Daniel Larrieu (2012, Concordan(s)e 3), where a textual, sonic, and choreographic work influences and is influenced by the writing of an author who represents what may be considered a Verticales approach, on the stylistic, sensorial, and political level.
