433

Bibliographie

Œuvres de Malcolm Lowry

Romans

Ultramarine (1933), London, Penguin, 1962.

Under the Volcano (1947), Harmondsworth, Middlesex, Penguin, 1966.

Dark as the Grave Wherein My Friend is Laid, ed. Douglas Day and Margerie Lowry, London, Jonathan Cape, 1969.

Dark as the Grave Wherein My Friend is Laid, ed. Douglas Day and Margerie Lowry, London, Jonathan Cape, 1969.

October Ferry to Gabriola, New York, New World Publishing, 1970.

La Mordida (A Scholarly Edition), ed. Patrick McCarthy, Athens, Georgia and London, University of Georgia Press, 1996.

In Ballast to the White Sea, edited by Patrick A. McCarthy with annotations by Chris Ackerley, Ottawa, Univerisity of Ottawa Press, 2014.

Nouvelles

« Port Swettenham », Experiment No. 5, February 1930.

« Punctum Indifferens Skibet Gaar Videre », Experiment No. 7, Spring 1931.

« Seductio Ad Absurdum », The Best British Short Stories of 1931, ed. Edward O’Brien, New York, Dodd, Mead & Co, 1931 : 80–107.

« On Board the West Hardaway », Story Vol. III, No. 15, October 1933.

« Garden of Etla », United Nations World (June 1950), 45-47.

Lunar Caustic, The Paris Review, International Quarterly, no 29, Spring 1963, 15-72.

Hear us O Lord from Heaven thy Dwelling Place, Harmondworth : Penguin Books, 1979.

« Ghostkeeper », The Penguin Book of Canadian Short Stories, ed. Wayne Grady, Harmondsworth, Penguin Books, 1982.

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« Tramps », Rare Books and Special Collections Archive, ARC-1348, Malcolm Lowry collection, University of British Columbia.

Poèmes

The Collected Poetry of Malcolm Lowry, Kathleen Scherf (ed), Vancouver, University of British Columbia Press, 1992.

Correspondance

Sursum Corda! The Collected Letters of Malcolm Lowry, 2 vols [CL I et CL II], Sherrill Grace (ed), Toronto, University of Toronto Press, 1995 et 1996.

Selected Letters, Harvey Breit and Margerie Bonner Lowry (eds), London, Jonathan Cape, 1965.

The Letters of Conrad Aiken and Malcolm Lowry, 1929–1954, Cynthia Sugars (ed), Toronto, ECW Press, 1992.

« Letter to Jonathan Cape » in Grace Sherrill (ed), Sursum Corda: The Collected Letters of Malcolm Lowry, Toronto, University of Toronto Press, 1995-1996, p. 498-528.

« Work in Progress: The Voyage that Never Ends », Malcolm Lowry Review 21 and 22 (Fall 1987 and Spring 1988), p. 72-99.

Haiti Notebook, archives Malcom Lowry Archives, Bibliothèque de l’université de British Columbia à Vancouver, Special Collections Division.

Biographies

Bowker, Gordon, Pursued by Furies: A Life of Malcolm Lowry, London, HarperCollins, 1993.

Day, Douglas, Malcolm Lowry: A Biography, New York, Oxford University Press, 1973.

Gabrial, Jan, Inside the Volcano: My Life with Malcolm Lowry, New York, St. Martin’s Press, 2000.

Traductions

Sombre comme la tombe où repose mon ami, Clarisse Francillon [trad], Paris, Denoël, 1970.

Le Caustique lunaire (1956), Clarisse Francillon [trad], Paris, Les Lettres Nouvelles / Maurice Nadeau, 1977.

Écoute notre voix ô Seigneur [1962], Clarisse Francillon et Georges Belmont [trads], Paris, Editions Maurice Nadeau, 1983.

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Sous le Volcan, Jacques Darras [trad], Paris, Grasset, 1987.

Malcolm Lowry, Romans, nouvelles et poèmes, Jacques Darras (ed), Paris, Le Livre de Poche, 1995.

Ultramarine, Clarisse Francillon et Jean-Roger Carroy [trads], Paris, Gallimard/Denoël, « L’imaginaire », 2004.

Ouvrages et articles critiques

Ouvrages

Ackerley, Chris et J. Clipper, Lawrence, A Companion to Under the Volcano, Vancouver, University of British Columbia Press, 1984.

Aiken, Conrad, Ushant: An Essay, New York, Duell, Sloan and Pearce, 1952.

Asals, Frederick et Tiessen, Paul G., A Darkness That Murmured: Essays on Malcolm Lowry and the Twentieth Century, Toronto, University of Toronto Press, 1999.

Bareham, Tony, Malcolm Lowry, Basingstoke, Macmillan, 1989.

Biggs, Brian et Tookey, Helen, Malcom Lowry: From the Mersey to the World, Liverpool, Liverpool University Press, 2009.

Bowker, Gordon (ed.), Malcolm Lowry: Under the Volcano. A Casebook, Basingstoke, Macmillan, 1987.

Bradbrook, Muriel Malcolm Lowry: His Art & Early Life, Cambridge, Cambridge UP, 1974. 

Carroy, Jean-Roger Trans-Lowry, Paris, Lettres Nouvelles / Maurice Nadeau, 1984.

Delesalle-Nancey, Catherine La Divine comédie ivre, répétition, ressassement et reprise dans l’œuvre en prose de Malcolm Lowry, Paris, Michel Houdiard, 2010.

Deville, Patrick (ed.), Pour Lowry, St Nazaire, Meet, 2010.

Deville, Patrick, Viva, Paris, Seuil, Fiction & Cie, 2014.

Grace, Sherrill, The Voyage That Never Ends: Malcolm Lowry’s Fiction, Vancouver, University of British Columbia Press, 1982.

Grace, Sherrill (ed.), Swinging the Maelstrom: New Perspectives on Malcolm Lowry, Montreal, McGill-Queens UP, 1992.

Grace, Sherrill (ed), Strange Comfort: Essays on the Work of Malcolm Lowry, preface by Richard Lane, Vancouver, Talonbooks, 2009.

Hauer Costa, Richard, Malcolm Lowry, New York, Twayne Publishers, 1972.

Kilgallin, Anthony, Lowry, Erin ONT, Press Porcepic, 1973.

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McCarthy, Patrick A., Forests of Symbols, World, Text, and Self in Malcolm Lowry’s Fiction, London, The University of Georgia Press, 1994.

McCarthy, Patrick A. et Tiessen, Paul, Joyce/Lowry: Critical Perspectives, Lexington, University of Kentucky Press, 1997.

Mota, Miguel et Tiessen, Paul (ed.), The Cinema of Malcolm Lowry: A Scholarly Edition of Lowry’s “Tender is the Night”, Vancouver, University of British Columbia Press, 1990.

Nadeau, Maurice (ed.), Malcolm Lowry, Paris, Papyrus Éditions, 1984.

Salloum, Sheryl, Malcolm Lowry : Vancouver Days, Madeira Park, BC, Harbour, 1987.

Schaeffer, Pierre, Variations sur l’effet dialogique dans Under the Volcano de Malcolm Lowry, (thèse de nouveau doctorat, Lyon 2, décembre 2005), Lille : Atelier National de Reproduction des Thèses, 2005.

Smith, Anne (ed.), The Art of Malcolm Lowry, London, Vision Press, 1978, p. 9-27.

Tiessen, Paul (ed.), Apparently Incongruous Parts, Metuchen, N. J., Scarecrow Press, 1990.

Vice, Sue (ed.), Malcolm Lowry Eighty Years On, New York, St. Martin’s Press, 1989.

Woodcock, George (ed.), Malcolm Lowry: The Man and His Work, Canadian Literature Series, Vancouver, UBC Press, 1971.

Articles

Benham, David, « Lowry’s Purgatory: Versions of Lunar Caustic », in George Woodcock (ed.), Malcolm Lowry: The Man and His Work, Canadian Literature Series, Vancouver, UBC Press, 1971, p. 56-65.

Binns, Ronal, « Lowry’s Anatomy of Melancholy ». Canadian Literature 64 (1975), p. 8-23. Dahlie, Hallvard, « Malcolm Lowry’s Debt to Nordahl Grieg », Canadian Literature 64 : Spring 1975.

Dahlie, Hallvard, « Malcolm Lowry’s Ultramarine », Journal of Canadian Fiction, 3.4 (1975), p. 65-68.

Dahlie, Hallvard, « A Norwegian at Heart: Lowry and the Grieg Connection », in Grace, Sherrill (ed.), Swinging the Maelstrom: New Perspectives on Malcolm Lowry, London, McGill-Queen’s UP, 1992, p. 31-42.

Delesalle, Catherine, « Playing with literary influences: ‘Through the Panama” as Malcolm Lowry’s “celestial meccano” », in Maisonnat, Claude, Paccaud-Huguet, Josiane et Ramel, Annie (ed.), Rewriting/Reprising in Literature: the Paradoxes of Intertextuality, Cambridge, Cambridge Scholars Publishing, 2009, p. 144-157.

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Dickinson, Peter, « “I Am Not I,” You Are Not Me, We Are Not Us: Addressivity and the Status of Reference in Malcolm Lowry’s Hear Us 0 Lord », Studies in Canadian Literature / Études en littérature canadienne Volume 18, Number 1 (1993).

Dilnot, Colin, « Lowry’s Wirral », in Brian Biggs et Helen Tookey, Malcom Lowry: From the Mersey to the World, Liverpool, Liverpool University Press, 2009, p. 27-36.

Duplay, Mathieu, « The Operatic Paradigm: Voice, Sound and Meaning in Lowry’s Fiction », in Asals, Frederick, and Tiessen, Paul G., A Darkness That Murmured: Essays on Malcolm Lowry and the Twentieth Century, Toronto, University of Toronto Press, 1999, p. 161-169.

Epstein, Perle, « Swinging the Maelstrom. Malcolm Lowry and Jazz », in George Woodcock (ed.), Malcolm Lowry: The Man and His Work, Canadian Literature Series, Vancouver, UBC Press, 1971, p. 144-153.

Falk, David, “The Descent into Hell of Jacques Laruelle: Chapter I of Under the Volcano,” Canadian Literature 112 (Spring 1987), p. 72-83.

Goodall, Mark, « “Lowrytrek” towards a psychogeography of Malcolm Lowry’s Wirral », in Biggs, Brian, et Tookey, Helen, Malcom Lowry: From the Mersey to the World, Liverpool, Liverpool University Press, 2009, p. 81-89.

Grace, Sherrill, « Midsummer Madness and the Day of the Dead: Joyce, Lowry and Expressionism », in McCarthy, Patrick A., et Tiessen, Paul, Joyce/Lowry: Critical Perspectives, Lexington, University of Kentucky Press, 1997, p. 136-145.

Grace, Sherrill, « Beginning Yet Again: October Ferry to Gabriola », in Sherrill Grace (ed.), Swinging the Maelstrom: New Perspectives on Malcolm Lowry, Montreal, McGill-Queens UP, 1992, p. 92-102.

Grace, Sherrill, “Remembering Tomorrow: Lowry, War, and Under the Volcano”, in Sherrill Grace (ed.), Strange Comfort: Essays on the Work of Malcolm Lowry, preface by Richard Lane, Vancouver, Talonbooks, p. 189-213.

Grace, Sherrill, « Respecting Plagiarism: Tradition, Guilt, and Malcolm Lowry’s “Pelagiarist Pen” », English Studies in Canada 18.4, 1992, p. 461–482.

Grace, Sherrill, « “A Strange Assembly of Apparently Incongruous Parts”: Intertextuality in Malcolm Lowry’s ‘Through the Panama’ », in Paul Tiessen (ed.), Apparently Incongruous Parts, Metuchen, N. J., Scarecrow Press, 1990, p. 118-129.

Kim, Suzanne, « A Portrait of the Artist as a Young Man and Ultramarine: Two Exercices in Identification », in Patrick A. McCarthy and Paul Tiessen (ed.), Joyce/Lowry: Critical Perspectives, Lexington, KY: The University Press of Kentucky, 1997, p. 109-125.

Kroetsch, Robert, « Hear Us O Lord and the Orpheus occasion », Essays Selected and New, Toronto, Oxford University Press, 1989, p. 163-178.

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Lowry, Russell, « Preface: Malcolm–A Closer Look » in Anne Smith (ed.), The Art of Malcolm Lowry, London, Vision Press, 1978, p. 9-27.

Maisonnat, Claude, « The Poetics of the Slippage in “Through the Panama” », in L’Époque Conradienne, Limoges, Pulim no 26, 2000, p. 163-175.

McCarthy, Patrick A., « The World as Book, the Book as Machine: Art and Life in Joyce and Lowry », in McCarthy Patrick A. and Tiessen Paul (ed.), Joyce/Lowry: Critical Perspectives, Lexington, The University Press of Kentucky, 1997, p. 146-158.

Mota, Miguel, « The Tyranny of Words, Malcolm Lowry’s Tender Is the Night », http://cinema2.arts.ubc.ca/units/canlit/pdfs/articles/canlit154-Tyranny(Mota).pdf, consulté le 15/06/2011.

O’Kill, Brian, « Why Does Nobody Write Like This Any More », Malcolm Lowry Eighty Years On, in Vice, Sue (ed.), Malcolm Lowry Eighty Years On, New York, St. Martin’s Press, 1989, p. 10-16.

Paccaud-Huguet, Josiane, « The poetics of Malcolm Lowry’s fiction », The Light of Remembered ways: New essays on Malcolm Lowry, The Malcolm Lowry Review, 45-46 (Winter 2000), p. 202-221.

Petropoulos, Jacqueline, « “Feminine” Excess or the Repressed other in Ultramarine », The Malcolm Lowry Review, 1997 Fall-1998 Spring, p. 41-42.

Schaeffer, Pierre, « Metafictional Reprising in Dark as the Grave Wherein my Friend is Laid », in Maisonnat, Claude, Paccaud-Huguet, Josiane, et Ramel, Annie, eds., Rewriting, Reprising in Literature: The Paradoxes of Intertextuality, Newcastle upon Tyne, Cambridge Scholars Publishing, 2009, p. 158-173.

Tiessen, Paul, “Malcolm Lowry and the Cinema”, in George Woodcock (ed), Malcolm Lowry: the Man and His Work, Vancouver, University of British Columbia Press, 1971, p. 133-143.

Tiessen, Paul, « Literary Modernism and Cinema: Two Approaches », in Joyce/Lowry: Critical Perspectives, edited by Patrick McCarthy and Paul Tiessen, Lexington, University of Kentucky Press, 1997, p. 159-176.

Williams, Mark, « Muscular Aesthete: Malcolm Lowry and 1930s English Literary Culture », The Journal of Commonwealth Literature, 1989, p. 65-87.