A LIST OF VIDEO MATERIALS
RELATED TO THIS VOLUME

The following materials can be found here: https://jedwentz.com/european-drama-and-performance-studies/

1. A Sequence of Passionate Attitudes Drawn from Theoretische lessen over gesticulatie en mimiek by Johannes Jelgerhuis, performed by Laila Cathleen Neuman

2. Etude on the Facial Expressions of Charles Le Brun 1, performed by João Luís Paixão

3. Etude on the Facial Expressions of Charles Le Brun 2 performed by João Luís Paixão

4. Etude on the Facial Expressions of Charles Le Brun 3 performed by João Luís Paixão

5. Etude on the Facial Expressions of Charles Le Brun 4 performed by João Luís Paixão

6. Suite I, Without Transitions, performed by João Luís Paixão

7. Three Attempts at Love and Joy,performed by João Luís Paixão

8. Improvisations, Oratorical Mode, performed by João Luís Paixão

9. Improvisation, Epic Mode, performed by João Luís Paixão

10. Improvisation, Dramatic Mode, performed by João Luís Paixão

11. Encouragement vs. Temptation, performed by João Luís Paixão

12. Suite II, without Transitions, performed by João Luís Paixão

13. Improvisation, One Character, performed by João Luís Paixão

14. Improvisation, Two Characters, performed by João Luís Paixão

15. Improvisation on ‘ Eve ’ s Account of her Troublesome Dream ’ , Muted Text, performed by João Luís Paixão

16. Improvisation on ‘ Eve ’ s Account of her Troublesome Dream ’ , Spoken Text, performed by João Luís Paixão

17. Three Studies Towards a Performance of a Monologue from Alfieri ’ s Oreste 1, performed by João Luís Paixão

18. Three Studies Towards a Performance of a Monologue from Alfieri ’ s Oreste 2,performed by João Luís Paixão

19. Three Studies Towards a Performance of a Monologue from Alfieri ’ s Oreste 3, performed by João Luís Paixão

20. Pilade ’ s Monologue (Act IV, Scene 2) from Oreste by Vittorio Alfieri (1749–1803),performed by João Luís Paixão

21. ‘ The Actor ’ s Epitome ’ by Aaron Hill, performed by Jed Wentz

22. Ten Applications from Aaron Hill ’ s Essay on the Art of Acting (1753), performed by Jed Wentz

23. Lines from Jean-Jacques Lefranc de Pompignan, Didon (1734), performed by Kat Carson

24. Lines from Jean-Jacques Lefranc de Pompignan, Didon (1734) 1, performed by Sabine Chaouche

25. Lines from Jean-Jacques Lefranc de Pompignan, Didon (1734) 2, performed by Sabine Chaouche

26. Realizations of Five Poems Found in von Seckendorff ’ s Vorlesungen über Deklamation und Mimiek (1816): Psalm, performed by Andreas Gilger

27. Realizations of Five Poems Found in von Seckendorff ’ s Vorlesungen über Deklamation und Mimiek (1816): Sehnsucht der Liebe, performed by Andreas Gilger

28. Realisations of Five Poems Found in von Seckendorff ’ s Vorlesungen über Deklamation und Mimiek (1816): Hiob und Yael, performed by Andreas Gilger

29. Realisations of Five Poems Found in von Seckendorff ’ s Vorlesungen über Deklamation und Mimiek (1816): Chlotilde, performed by Andreas Gilger

30. Realisations of Five Poems Found in von Seckendorff ’ s Vorlesungen über Deklamation und Mimiek (1816): Vorschlag zur Güte, performed by Andreas Gilger

31. Four Studies Towards a Performance of William Blake ’ s A Poison Tree: Study I, performed by Kat Carson and Punto Bawono

32. Four Studies Towards a Performance of William Blake ’ s A Poison Tree: Study II, performed by Kat Carson and Punto Bawono

33. Four Studies Towards a Performance of William Blake ’ s A Poison Tree: Study III, performed by Kat Carson and Punto Bawono

34. Four Studies Towards a Performance of William Blake ’ s A Poison Tree: Study IV, performed by Kat Carson and Punto Bawono