Abstract: In the absence of archives on the links between Tristan L’Hermite and his publishers, as well as the painters and engravers who contributed to the publication of most of his texts, what can be inferred about the relationships of this Parisian man of letters (a gentleman living in the world but indifferent to its financial affairs) with books and their materiality? The poet’s participation in “gallery books” offers an ideal vantage point to study the way the idea of the monument can be understood in Tristan’s work.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
EAN:9782406141167
ISBN:978-2-406-14116-7
ISSN: 2262-2004
DOI: 10.48611/isbn.978-2-406-14116-7.p.0119
Publisher: Classiques Garnier
Online publication: 11-02-2022
Periodicity: Annual
Language: French
Keyword: classical age, architectural imaginary, painting gallery, editorial monumentality, ethics of the monument, rhetoric of the monument, print culture.
