Abstract: From literature to caricature, we find the same transgressive approach. The diversion from the standards of classical drawing is similar to the subversion of language in the collection of the “pittore-poëta”. However, Corbière pushes this logic in a way that blurs the principles of caricature to the point of modifying its functioning. The originality lies in the axiological and affective hesitation produced. The dialogue between text and image often takes place in the mode of conflict, clouding the modalities of reception.
