Abstract: When Corbière evokes painters, he doesn’t only name artists who are well known today. This article explores the presence of Ducornet and Galimard in the context of hostile reviews, jokes and obscene graffiti, showing that Galimard is the « Gaël’Imar » of the Parnassiculet contemporain and that if Ducornet didn’t have arms to paint with, Galimard apparently overused his hands…
