Abstract: This study, which crosses Ronsard's Discours with the political, legal-judicial and polemical literature, produced in the years 1560-1562, by Protestants and Catholics, sets out to demonstrate that Ronsard masterfully practices the counter-polemic against the Huguenot party, but that this does not necessarily make him the mercenary voice of the intransigent Catholic movement, but rather the cantor of a lost harmony, both political and religious.
