Abstract: This study focuses on the risks that, not without irony, Molnar stages and dissipates in Quant à je, (kantaje). Particularly, it analyzes the risks linked both with the use of a “langue fautive” and to the fragmentary form of this text, by demonstrating that the “moi fôtif”, behaving like a virus, runs and dispels the same risks: that of not finding a language capable of representing it as well as that of losing its coherence and identity cohesion.
