Trois dynamiques de représentation des mutations des masculinités Le cas du théâtre colombien

Contemporary Colombian theater has drawn inspiration from changes in traditional models of masculinity, which have been called into question because they are in large part responsible for social violence. By considering the theater as a reflection of and laboratory for questions being confronted by contemporary society, this article analyzes how this transition undergone by various masculinities is reflected on stage through the analysis of three works: Viudas o la Felicidad tal vez sí existe, Purgatorio Express, and A fuego lento.