This article questions the possibility of immersion through the use of nomadic artistic devices in relation to an “objective” reality. In other words, the constitution of an illusion supposes the spectator maintain two levels of reality, making it possible to situate the work in a differential world. Artistic immersion mobilizes adaptive adjustments. It increases the spectators’ ability to act. It nevertheless supposes a way out, a switch.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication