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Écrans
2019 – 2, n° 12 Lisières esthétiques et culturelles au cinéma

  • Publication type: Journal
  • Editors: Marchiori (Dario), Moussaoui (Nedjma)
  • Number of pages: 252
  • Parution: 11-10-2020
  • Journal: Screens
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Pages 7 to 9
Contents
Pages 11 to 27
Introduction Film and Cinema at fringe: intersections, synergies, dialectics
Marchiori (Dario)

PREMIÈRE PARTIE

LES CINÉMAS DE L’ENTRE-DEUX ET LEUR PUISSANCE
DE RECONFIGURATION ESTHÉTIQUE /
CINEMAS OF IN-BETWEENNESS AND THEIR POTENTIAL FOR AESTHETIC RECONFIGURATION

Pages 31 to 44
Scientific cinema in France Revisiting a historiographical construct
Hamery (Roxane)
Pages 45 to 59
On the implications of labels “Experimental” cinema between aesthetic boundaries and discursive strategies
Thouvenel (Éric)
Pages 61 to 71
A stylistic approach to generic boundaries Documentary models and formal invention
Labé (Benjamin)
Pages 73 to 91
Cinema at its limits, long duration and impure spectatoriality
Ramos Monteiro (Lúcia)
Pages 93 to 106
Les yeux ne veulent pas en tout temps se fermer or Peut-être qu’un jour Rome se permettra de choisir à son tour by Danièle Huillet and Jean-Marie Straub From literature to cinema, translation as a minor form
Marguet (Damien)
Pages 107 to 121
Figures of destructive plasticity in contemporary marginal cinema Julio Bressane, Amir Naderi, Tonino De Bernardi
Olivero (Massimo)
Pages 123 to 138
Doors without keys. Keys without doors Abbas Kiarostami and the promise of crossing through
Dalla Gassa (Marco), Pellò (Stefano)

DEUXIÈME PARTIE

LE FILM SINGULIER, SES DYNAMIQUES
SOCIO-CULTURELLES ET POLITIQUES
THE SINGULAR FILM, ITS SOCIOCULTURAL
AND POLITICAL DYNAMICS

Pages 141 to 157
What to do with Peter Lorre’s The Lost One (1951)?
Moussaoui (Nedjma)
Pages 159 to 176
The River Fuefuki, a disregarded color film, between apparent archaism and latent modernity
Martin (Jessie)
Pages 177 to 193
Formal inventiveness, resistance, and new possibilities in two postcolonial films Hour Glass (1971) and Allah Tantou (1991)
Ricci (Daniela)
Pages 195 to 214
With Kais Al-Zubaidi, revisiting an “alternative cinema”
Farine (Anaïs)
Pages 215 to 231
The Laughing Alligator by Juan Downey (1979), an endocannibalistic cinema
Schefer (Raquel)
Pages 233 to 244
“Ni dans ni hors”, The Valley by Ghassan Salhab (2014), a “fringe film”
Bonamy (Robert)
Pages 245 to 252
Abstracts
Screens is an interdisciplinary thematic journal focusing on the audiovisual domain and tackling contemporary issues affecting the cultures and arts of the image.
  • CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication
  • ISBN: 978-2-406-10917-4
  • EAN: 9782406109174
  • ISSN: 2267-4357
  • DOI: 10.15122/isbn.978-2-406-10918-1
  • Publisher: Classiques Garnier
  • Online publication: 11-02-2020
  • Periodicity: Biannual
  • Languages: French, English
  • Keyword: Film aesthetics, film history, cultural studies, interculturality, geopolitics, history of forms, film Analysis

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