Je ne suis pas votre Nègre de Raoul Peck Traverser les espaces, les temps, les publics, les genres

Recent studies of African cinema and its diaspora have grown more complex, with disciplinary crossing now a focal point. An analysis of Haitian filmmaker Raoul Peck’s I Am Not Your Negro (2016) shows the fruitfulness of navigating among disciplines, spaces, and concepts to study audiovisual works and to approach personal experience in a socio-historical context. This in turn opens doors into a complex and multiform oeuvre of universal appeal.