Les sous-titres ne sont plus ce qu’ils étaient Construction du sens et créativité traductive dans les sous-titres de Man on Fire

This research deals with creative subtitles that present atypical forms of typography, size, color, position, and the ways they appear and disappear in the image. Director Tony Scott played along with creative subtitling in the original version of his movie Man on Fire (2004). Several issues can be considered: How relevant are such subtitles? What are their semiotic functions? What effects do they have on the spectator?