Claudel pour Racine, les raisons d’un revirement

Between the terrible boredom that Claudel feels in 1935 from a performance of Berenice and the homage he pays to his author in “Conversation sur Jean Racine”, are scattered reflections. They are at the origin of a veritable reversal born of the heart and founded in reason in favor of the illustrious compatriot whose chair he occupies at the French Academy.