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Une épiphanie du sublime chez Mozart
À propos de l’Et incarnatus de la messe en ut mineur, KV 427

  • Publication type: Article from a collective work
  • Collective work: À la croisée des arts Sublime et musique religieuse en Europe (xviie-xviiie siècles)
  • Author: Saby (Pierre)
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  • Abstract: The cadenza of the Et incarnatus by Mozart can be related to two earlier operatic arias due to a musical motif common to all three pieces. The shifts in meaning which take place between the pieces allow us to analyse the sense of the sublime produced during mass, in the paradoxical context of a concertante aria which tends towards the ornamental miniature.
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  • Pages: 81 to 94
  • ISBN: 978-2-8124-4678-8
  • ISSN: 2108-9876
  • DOI: 10.15122/isbn.978-2-8124-4680-1.p.0081
  • Publisher: Classiques Garnier
  • Collection / Journal: Reading the Seventeenth Century, n° 32
  • Subcollection: Musique et littérature, n° 4
  • Parution date: 05-28-2015
  • Year of publication: 2015
  • Language: French

  • Article from a collective work: Previous 5/31 Next

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