S. Werenfels, J. Ch. Gottsched, J. A. Scheibe Contexte et structures de la perception du sublime et de l’enflure dans l’Allemagne des années 1730 : le cas de la musique religieuse

In Germany in the 1730s, conceptions and perceptions of the sublime as an oratory style influenced some works in musical theory and criticism. J. A. Scheibe in particular, in his review Critischer Musikus, sought to emulate two reputed rhetoricians, the erudite S. Werenfels and his famous professor of eloquence at Leipzig, J. Ch. Gottsched.